Statement

My projects often emerge from a process of attentive looking—to environments, people, and the subtle gestures that hold emotion and history in the everyday. I approach what I encounter with curiosity, asking: What is this moment telling me?Rather than beginning with a fixed method, I allow the encounter itself to suggest how it wants to be recorded. Photography becomes a way of observing, while tactile gestures emerge as ways of responding to what I encounter.Stitching has become a visual language within my practice, a tactile way of responding to and tracing resonance and memory. It transforms the photographic surface into a space of translation, where what is felt becomes visible and what is unseen finds form.My practice is deeply informed by movement. Migrating between Peru, Spain, and the United States, where I have lived at different points in my life, has shaped my perception of time and space and the ways landscapes and personal histories intertwine. These experiences have led me to consider how memory resides not only within the body, but also within the natural and built environments that surround us.Through my work, I seek to create quiet spaces of reflection, where attention, stillness, and care become ways of reconnecting with the world and with oneself.